The U2 frontman considers his life through the lenses of faith, family, activism, and, occasionally, music. It's not that Bono avoids discussing his world-famous band. He writes wittily about meeting future band mates (and wife) in school in Dublin and how he first encountered guitarist The Edge watching him play music from Yes' album Close to the Edge. "Progressive rock remains one of the few things that divide us," he writes. Bono is candid about the band's missteps, both musical (the 1997 album, Pop) and ethical (force-feeding its 2014 album, Songs of Innocence, to every Apple iTunes customer). At nearly every turn, the author spends less time on band details than he does wrestling with the ethical implications of his successes and failures. Dedicating each of the book's 40 chapters to a U2 song gives him a useful framing device for such ruminations: "Bad" deals with the loss of a friend to heroin, "Iris (Hold Me Close)" with the death of his mother when he was 14, "One" about the band's own struggles. Considering Bono's onstage penchant for sanctimony, his tone is usually more self-deprecating, especially when discussing his efforts to address AIDS in Africa and find the "top-line melodies" that would persuade politicians to release funding. He concedes being imperfect at the job; after a weak negotiation with then-Secretary of State Condoleezza Rice, he recalls being berated by George Soros, who tells him he "sold out for a plate of lentils." There's little in the way of band gossip, and the author has a lyricist's knack for leaving matters open to interpretation, which at times feels more evasive and frustrating than revealing. But he also evades the standard-issue rock-star confessional mode, and his story reveals a lifelong effort of stumbling toward integrity, "to overcome myself, to get beyond who I have been, to renew myself. I'm not sure I can make it." Chatty and self-regarding but pleasantly free of outright narcissism. A no-brainer for U2's legions of fans. Copyright (c) Kirkus Reviews, used with permission.

Not content with writing one of the best memoirs of 2022, Bono has turned the creativity amp to 11 by making the memoir's audiobook version into a rapturous blend of music, sound effects, vintage sound clips, and of course, his own mesmerizing narration. For instance, when Bono talks about dreaming that he's in a movie, listeners hear an old film projector begin to spin and old-timey movie music plays under his narration. Bono begins his memoir in 2016, as he's about to undergo an eight-hour surgery to correct his heart's aortic valve. Each of the 40 subsequent chapters is named after a U2 song, and each chapter begins with or stripped-down acoustic or live versions of those songs, in music clips that run between 20 and 90 seconds. Bono provides the vocals, although musician the Edge pops up periodically, including singing the falsetto lead on "Desire." Although these musical snippets are short, they sound newly recorded, rather than clipped from existing album tracks. When Bono remembers watching the 1969 moon landing, Neil Armstrong's "one small step for man" speech plays quietly under Bono's narration. An innovative and wildly entertaining audiobook. VERDICT Bono's epic, introspective memoir is given an impressive music-filled production. It's certainly one of the best audiobooks of the year.--Kevin Howell

Bono, lead vocalist and primary lyricist for the rock band U2, reflects on his creative and personal evolution in this powerful and candid debut memoir. Born Paul David Hewson and raised in 1970s Dublin by a Catholic father and a Protestant mother, Bono always viewed music as his "prayers." With remarkable frankness, he details what makes a great song ("The greatest songwriting is never conclusive, but the search for conclusion"); domestic life with his wife, Ali, and their four children; how the band almost fell apart during the 1990 recording of Achtung Baby ("We ran out of love for being in the band"); why he always wears glasses (migraines that were eventually diagnosed as glaucoma); and his experience of the conflict between unionists and nationalists in Northern Ireland that lasted from 1968 to 1998. Along the way, Bono also shares plenty of memories of famous friends--Prince, he notes, is a "genius" who made him realize the importance of U2 owning their master tapes. Self-aware (Bono admits that sometimes he feels like he's "a sham of a rock star") and poignantly reflective ("I'm discovering surrender doesn't always have to follow defeat"), this is a must-read. Agent: Jonny Geller, Curtis Brown. (Nov.)

He was born Paul Hewson, but the world knows him as Bono, the lead singer and beating heart of the Irish band U2. Speaking of hearts, he begins his fine memoir with a striking revelation: he was born with an "eccentric'" heart (one of the chambers of his heart has two doors, most people have three). At 18, he recalls, he realized that if he could do what he loves, he would never have to work a day in his life, but then it occurred to him that you have to be great at something. Bono discusses how he discovered what that was, chronicles his phenomenally successful career up to now, and shares his thoughts on fame, the purpose of music, family, friends, and his passionate activism. As the subtitle suggests, this is an autobiography-in-songs. "Songs are my prayers," Bono says. He reveals the origins of some of his hits. "With or Without You," for example, was a product of "listening to too much Roy Orbison" as well as channeling Scott Walker and Harry Nilsson. That the singer-songwriter writes well for the page should not come as a surprise, but his drawings might. Fans of Bono and U2 will adore this rich and expansive memoir, while music lovers of all persuasions will find much to enjoy here, too.HIGH-DEMAND BACKSTORY: Award-winning (22 Grammys!) Bono's first book will generate enormous interest.